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Mark Bradford
Museum of Contemporary Art Chicago
until 18 September
CHICAGO. THIS EXHIBITION is the first survey of the artist's work to date. Spanning the years 2001 to 2010, it examines Bradford's work in all media, beginning with early sculptural projects, and culminating in a number of new commissions. Deeply influenced by his experience growing up in South Central Los Angeles, the titles of his works often allude to stereotypes and the dynamics of class, race, and gender-based economies that structure urban society in the United States, specifically those of Los Angeles where he lives and works.

An anthropologist of his own environment, Bradford describes himself as a "modern-day flaneur," saying, "I like to walk through the city and find details and then abstract them and make them my own. I'm not speaking for a community or trying to make a sociopolitical point. At the end it's my mapping. My subjectivity." The exhibition is accompanied by a fully illustrated catalogue with an essay by the curator, an interview with the artist, and three commissioned essays by specialists in the field. The exhibition is organized by the Wexner Center for the Arts.
Mark Bradford, Smokey, 2003. Collection of Anne and Joel Ehrenkranz. Photo Bruce M. White.
Mark Bradford, Strawberry, 2002. Collection of Barbara and Bruce Berger. Photo Bruce M. White, 2010
Mark Bradford, Grey Gardens, 2010. Courtesy of the artist and Sikkema Jenkins & Co., New York. Photo Fredrik Nilsen
Mark Bradford, Scorched Earth, 2006. Collection of Dennis and Debra Scholl. Photo Bruce M. White.
Mark Bradford, Method Man, 2004. The Speyer Family Collection. Photo Bruce M. White
Mark Bradford, Taking Up the Cross, 2009. Collection of Bridgitt and Bruce Evans. Photo Fredrik Nilsen
Mark Bradford, Value 47, 2009-10. Courtesy of the artist and Sikkema Jenkins & Co., New York. Photo Fredrik Nilsen
Mark Bradford, Untitled (Shoe), 2003. The Speyer Family Collection. Photo Bruce M. White, 2010
Mark Bradford, WEAR THE BRACELET, 2008. Collection of Adam and Iris Singer. Photo Bruce M. White, 2010