Winter 2010
November

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December 2010
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MANAMA. The opening of the solo exhibition of Syrian artist Nasr Warour , “The Dust between’’ last 7 November was followed by a lecture entitled “Human body in Art” by Anthropology researcher and writer “Ibrahim Mahmud.”

Warour has been exhibiting since 1986 and has won in 2009  the fourth award of Lorenzo il Magnifico in the Seventh Edition of Florence Biennale of Contemporary Art 2009.
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About Nasr Warour

Born in 1968 in Syria, Nasr Warour holds a Bachelor of Fine Arts degree from Damascus University; he also studied at the fine art institute in Swaida, Syria. Nasr’s interests comprise art, sculpture and literature. He started with sculpture before dedicating himself to painting. This talented artist also writes poetry in Arabic and often weaves it into his works.

He has been participating to art shows since 1986. Nasr's work has been exhibited in forums and galleries in Syria and abroad, notably in Dubai, Lebanon and New Delhi. He participated recently to several joint exhibitions in Dubai and Bahrain. In 2009, he won the fourth award of Lorenzo il Magnifico in the Seventh Edition of Florence Biennale of Contemporary Art 2009.

Since 2000, the artist lives and works in Dubai.
Nasr Warour
The Dust between
Solo Exhibition

Albareh Art Gallery
7 November
Artist's Statement

The space takes its importance and identity from us as part of the universe in permanent movement and change in its shape, sound, smell, weight, temperature and rhythm. By space, I don't mean its physical state but the words and expressions emanate from the self within its surroundings. Words and expressions which can fly and fill the hollowness that's scattered far and wide. Or simply plummet like a dead sperm unable to swim and reach anywhere. Or they could find themselves submerged and infused into the light and in the flowing equations that
lie between us. Or they can just be kept imprisoned in their extremism. These expressions - fragrances that never surrender or yield - wander endlessly by the effect of the deeds in our margins and await neither a bee effect nor a storm.
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