September
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September 2011
Jean-Pierre PINCEMIN
LA SULAMITE DEVOILEE
GENESE DU CANTIQUE DES CANTIQUES
DE GUSTAVE MOREAU
GENESE DU CANTIQUE DES CANTIQUES
DE GUSTAVE MOREAU
Introduction by Serge Lemoine
Format: 22 x 28 cm at the French
Number of pages: 88
Number of illustrations: 40
Square back stitched bonded
Printed on matt coated paper 150 g
PVP: 29 euros
Format: 22 x 28 cm at the French
Number of pages: 88
Number of illustrations: 40
Square back stitched bonded
Printed on matt coated paper 150 g
PVP: 29 euros
Died in 2005 at the age of 61, Jean-Pierre Pincemin probably one of the largest French abstract painters of his generation.
Self-taught, Pincemin discovered painting by visiting museums; encouraged by the art dealer Jean Fournier, he made his first
pictorial works by increasing searches: folding, prints, screens and launches in the early 70s in the "square-pasted" and then joined the movement supports surfaces.
In the 80s, the artist decides to "scan all and assimilate everything" and moving towards the
representation: to the image and the subject. It is based on fables of the Middle Ages, of Christian
imagery or Japanese prints. The discovery of aquatint in 1988 allowed him a large flexibility in
implementation and greater freedom of creation. By bringing together representative works of
Jean-Pierre Pincemin, this book helps to understand a rich work, varied and demanding.
Self-taught, Pincemin discovered painting by visiting museums; encouraged by the art dealer Jean Fournier, he made his first
pictorial works by increasing searches: folding, prints, screens and launches in the early 70s in the "square-pasted" and then joined the movement supports surfaces.
In the 80s, the artist decides to "scan all and assimilate everything" and moving towards the
representation: to the image and the subject. It is based on fables of the Middle Ages, of Christian
imagery or Japanese prints. The discovery of aquatint in 1988 allowed him a large flexibility in
implementation and greater freedom of creation. By bringing together representative works of
Jean-Pierre Pincemin, this book helps to understand a rich work, varied and demanding.
Gustave Moreau
Sophie Barthélémy,
Marie-Cecile Forest,
Gilles Mathieu and
Christine Peltre
ISBN 978-2-35340-114-7
Format: 24 x 21 cm in Italian
Number of pages: 72
Number of illustrations: 80
Paperback
Printed on matt coated paper 150 g
PVP: 17 euros
Sophie Barthélémy,
Marie-Cecile Forest,
Gilles Mathieu and
Christine Peltre
ISBN 978-2-35340-114-7
Format: 24 x 21 cm in Italian
Number of pages: 72
Number of illustrations: 80
Paperback
Printed on matt coated paper 150 g
PVP: 17 euros
Commissioned in 1852 to Gustave Moreau, La Shulamite unveiled at the show was exhibited in 1853 alongside Bathers of Courbet and his friend Tepidarium Chassériau whose influence is evident in this work. Moreau has conducted numerous studies Preparatory - gouache, oils, watercolors, drawings in pencil - mostly preserved in the museum Gustave Moreau in Paris, in afiliation still close to its romantic masters. The artist draws inspiration from one of the famous books of the Bible, The Song of Songs series of poems and songs Love, whose heroine is Shulamite.
Accompanying the exhibition, the book presents the Masterpiece Youth Gustave Moreau in restoring him
compared to the legacy of romantic and Chassériau exploring the vision of the East of Moreau and his
contemporaries.
Accompanying the exhibition, the book presents the Masterpiece Youth Gustave Moreau in restoring him
compared to the legacy of romantic and Chassériau exploring the vision of the East of Moreau and his
contemporaries.
FONDAZIONE ANTONIO PRESTI -FIUMARA D’ARTE
International Museum of Image
Terzocchio Meridiani di Luce - Sole di Mezzanotte
(ThirdEye Meridian of
Light - Midnight Sun)
Librino,Catania
Deadline: Ongoing
Terzocchio Meridiani di Luce - Sole di Mezzanotte
(ThirdEye Meridian of
Light - Midnight Sun)
Librino,Catania
Deadline: Ongoing
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