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Selected works from the
38th Annual Fine Arts Exhibition
Chiharu Shiota's Other Side
Haunch of Venison, NY
until 16 June
The First U.S. Exhibition Featuring Artist's Window Installation
NEW YORK. HAUNCH OF VENISON is pleased to present a solo exhibition by Japanese performance and installation artist Chiharu Shiota entitled Other Side on view until June 16th. The exhibition include a large-scale window installation, made entirely of found window frames from East Berlin and one of Shiota’s intricate floor-to-ceiling thread environments. Other Side will run concurrently at the gallery with Project Room by Marlène Mocquet.
The new window installation, a series being shown in The United States for the first time, continues a theme that the artist has been exploring for several years. Though Shiota’s heritage is Japanese, Berlin has become her creative home, and it is unquestionably an inextricable part of her process. In her series of installations made entirely from window frames found in East Berlin, stacked to form various architectural structures, Shiota investigates physical and spatial perception while harking back to a very different reality in the city’s history. The windows, salvaged from demolition sites, deserted buildings etc. are layered and combined to create hollow structures lit from within. These windows are ingrained with the memories of those who used to look through them, and are heavy with meaning of what came before. The structure at Haunch of Venison will have an entrance, inviting the viewer to enter to experience it from all perspectives.
Chiharu Shiota is best known for her monumental yet delicate installations, which evoke an eerie, melancholic feeling of both stillness and ritual. In her thread installation, Shiota will meticulously weave black yarn into a web-like, interactive environment. In previous works Shiota encapsulated personal objects in her web including shoes, dresses and a piano. The intricacy of her thread work paired with the macabre nostalgia inherent in the found objects recall what the artist has defined as the essence of her practice: “presence in the midst of absence.” Themes of remembrance and oblivion, childhood and memory, and emotional instability and anxiety resonate throughout Shiota’s work.
Chiharu Shiota (b.1972) was born in Osaka, Japan. She received her artistic education in Japan, Australia and Germany. Upon completion of her studies at the Universität der Künste, she stayed to live and work in Berlin. Recent solo and group exhibitions include Hayward Gallery, London (2009), Louisiana Museum of Modern Art (2009), Moscow Biennale (2009), National Museum of Art, Osaka (2008), 21st Century Museum of Contemporary Art, Kanazawa (2008 and 2009) and Neue Nationalgalerie, Berlin (2006). Shiota is also working as a Stage Designer. Her work is included in the collections of Museum für Neue Kunst, Freiburg, The National Museum of Modern Art, Tokyo, KIASMA, Helsinki, 21st Century Museum of Contemporary Art, Kanazawa, and The National Museum of Art, Osaka.