March 2012
MANAMA
CAPITAL
OF
ARAB
CULTURE
2012
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Selected works from the
38th Annual Fine Arts Exhibition
Per Kirkeby Untitled, 2011
Tempera on canvas 200 x 160 cm Galerie Michael Werner
BRUXELLES. THE CENTRE for Fine Arts presents a retrospective of the work of Per Kirkeby (born in 1938), one of the key painters of
the Danish avant-garde. But just what does avant-garde mean: rupture, minimalism, abstraction, borrowings, subversion? One can
find all of those in a prolific body of work that began in the 1960s in the wake of the Fluxus movement. But that is only one aspect of a
very diverse oeuvre that draws just as much on the figuration of Danish classicism and the experiments of 19th-century French
masters such as Eugène Delacroix. Kirkeby cannot be pigeonholed, nor does he want to be: he prefers to relentlessly question the
position and the perceptions of the observer. An artistic process that has seen him turn to different media (canvas, blackboards,
paper, bronze, etc.) in an assertion of the freedom he finds, as a trained geologist, in the omnipresence of nature. It is in this context
that the Kurt Schwitters room in the exhibition is so relevant. Here, Kirkeby is not confronted with the Dadaist, but with an unfamiliar,
figurative Schwitters, in love with landscape. "Forbidden paintings" - from the point of view of the modernist mainstream, that is. The
Danish artist recognises in this work his own credo: a visceral assertion of his freedom as an artist.